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A-Level Drama - Performance & Analysis

Core concepts for A-Level Drama Component 1 (Written) and Component 2 (Practical), focusing on perspectives, devising, and scripted performance.

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#1

Front

Clean Copy Rule (Component 1)

Back

In the open-book exam, texts must be clean. This means no personal notes, highlighting, underlining, or annotations. Candidates must use the prescribed editions for Section A texts to ensure everyone has the same page numbers and text layout.

#2

Front

AO1: Knowledge and Understanding

Back

Assessment Objective 1 requires candidates to record and investigate first-hand and secondary sources, showing knowledge and understanding of visual language, artists, and contextual influences. It focuses on research and critical awareness rather than the development of ideas.

#3

Front

AO4: Evaluation and Analysis

Back

Assessment Objective 4 focuses on analyzing and evaluating your own practical work and the work of others. In Component 2, this is assessed through the spoken self-evaluation after the devised performance, requiring candidates to articulate their dramatic choices and effectiveness.

#4

Front

Section A vs. Section B Texts

Back

Section A texts (e.g., *The Rivals*, *Small Island*) are originally in English and require specific editions. Section B texts (e.g., *Oedipus Rex*, *Blood Wedding*) are world theatre translations where no specific edition is prescribed, allowing for more interpretative flexibility regarding translation choices.

#5

Front

Devising from a Stimulus

Back

For Component 2, the devised piece must originate from a specific stimulus provided in the syllabus. This could be literary (a poem), artistic (a painting), or an event (historical/current). The group uses this seed material to generate original dramatic ideas through improvisation and discussion.

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